About Us

AR Sculptura, is an art and architecture design-build firm which was founded on June 2019 offering innovative design and construction solutions. Services extends from feasibility studies, permits and licensing applications, design conceptualization, construction detailing and estimates up to actual implementation and maintenance.

Apart from the usual structural, architectural and interior design works, we have also made a reputable name in the field of landmark / monument building.

Located at 2nd Floor, BalSy Building, El 98, Street, Jaro, Iloilo CIty, Philippines, the office+showroom+gallery houses a bit of everything that the company can offer.

Devoted to the ideals that “every client deserves a masterpiece.”. Our team specializes in producing eccentric and meaningful works showcased by our project’s unique design and craftsmanship.

OUR MISSION

Promoting Philippine Culture is our utmost advocacy, and it is only through arts and architecture that we hope to create a tangible and lasting legacy.

OUR VISION

To become a leader and trend setter in delivering quality arts and architecture that embodies deep Filipino cultural identity, environmental consciousness and resilience in a global level in the year 2030.

The Crew

The team is managed by spouses Interior Designer Joseph Carl Albert, a board examination 10th placer, and Architect Margarette Pampliega who is an Environmental Planner and Master Plumber at the same time. The primary consultant of the firm is Civil Engineer Arturo Albacete.

Margarette Albacete Pampliega

Architect
Environmental Planner
Master Plumber

Joseph Carl Albert Evidente Pampliega

Interior Designer
Principal Architectural Designer
Artist

Objectives and our Strategies

1. To deliver customized and exceptional outputs to our clients within a reasonable budget.

Visual, especially sculptural arts combined with architecture with a touch of client’s personality only yield an apparently remarkable and satisfying end-product/s. Workability with numerous not so commonly used materials such as resin, fiber, epoxy, filament, copper, styrofoam and other recyclables usually results in fresh and innovative ideas. Being not merely reliant on what is readily available at hardwares makes our designs less constrained and more exceptional.



2. To develop environment-friendly design and sustainable processes as cutting-edge solutions through technological advancements.

.Investing to take advantage of the technological innovations to further enhance and speed up fabrication works range from power tools, 3d printers , CNC laser and router machines which are now on hand. Through these machineries, waste materials or ‘retazos’ may be carved and cut to precision so as to upcycle them without compromising function and aesthetics.



Along with these environmental efforts, the company also aims to explore on the more serious matter of plastic waste reduction through recycling to be used in major industries such as construction.



3. To promote Philippine cultural identity through tangible arts and architecture, most particularly (but not limited to) designs patterned from the pre-colonial Philippines.

Precolonial culture is very unpopular nowadays, most especially those which were classified as oral traditions (chants, folk tales, etc.). Also, culture and tradition are intangible where physical representations may only be limited to ancient carvings on surfaces, tattoo patterns on mummified bodies, found accessories, and the like. Hence, without the awareness and interest of present generations, this rich heritage will easily be forgotten and eventually lost.

As advocates of cultural identity preservation, we firmly believe that it is vital to foster awareness for everyone to appreciate and take pride in the ancient culture. With that, our type of art and architecture are inspired by precolonial tattoo patterns, baybayin script, myths/ legends, hablon weaving, and the like, however, using modern materials and treatment to be able to keep up with the current contemporary trends.

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